upcoming Mai 2025: "Rosemarie Trockel. Bildparodie als Entthronung von Heldentümern", Cahiers d'ètudes
germaniques, No. 88
"„Servirsi delle cose d’altri“. Gegen Michelangelo: zwischen Invektive und Transposition,"Kunstchronik, Vol. 77, No. 6 (June 2024): 373–38.
news ::: lectures
upcoming July 21–25, 2025: "Staging the Crucible. Painted Narratives and Satirical Musings in Moscow 1909–1910", XI World
Congress, International Council for Central and East European Studies (ICCEES), University College London, London.
October 11, 2024: "Hannah Höch. Eine Subversion im Detail", Zentralinstitut für Kunstgeschichte, München, Symposium "Wortgebilde.
Deutungsanspruch und Selbstpositionierung in Künstler:innenschriften der Moderne"
November 7, 2023: "Per un canone interiore: Kasimir Malevič curatore di se stesso e le sovversioni della parodia," at
Dipartimento di Lettere e Filosofia, Università di Trento, Trento
bio
Beniamino Foschini is an art historian of modern and contemporary art with interests and practices in curating, art criticism, comics, and aesthetics, with an interpictorial
and intertextual approach that intersects with lateral, non-hegemonic histories and methodologies. He received his M.A. in Florence with a thesis on Karl Hofer and his editorship of the art
magazine "bildende kunst" in East Berlin after World War II, and his Ph.D. in Munich on Kazimir Malevich and visual parody.
He has taught at the Akademie der Bildenden Künste in Munich and is currently a lecturer at the Theaterakademie August Everding in the same city.
His essays have been published internationally in academic journals such as K (France-Italy), Zeszyty Artystyczne (Poland), and Kunstchronik (Germany), as well as
in exhibition catalogs. He has written for art magazines such as Exibart, Flash Art, and Doppiozero, and is an occasional contributor to Spike and
porcile.org.
His current interests include Rosemarie Trockel's early work, Hannah Höch's writing, and the strategies of women artists in Munich in the 1970s and 1980s.
